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Cristina Totaro

Camelot 2.0, Get Ready to Rock! 1024 576 audio modeling

Camelot 2.0, Get Ready to Rock!

Manage all your hardware instruments, software plug-ins, and external devices in one place!

Camelot is a live performance tool that breaks entirely new ground. It’s cross-platform (Mac OS, Win, iOS) and connects several hardware and software instruments via MIDI into a live performance setup.

Setlist, Song and Scene Manager

Camelot addresses the most complex live performance requirements with a simple and guided workflow. What in the past could only be achieved with a complex setup of different applications and devices connected together, Camelot achieves in one convenient and beautifully designed workstation. The Song in Camelot coordinates all of your Hardware Instruments Configurations & MIDI Routing, Software Instruments & FX instances, Music Scores, and Audio Backing Tracks.

Keep everything needed for a perfect live performance clear and organized. Built-in a simple hierarchy of Setlists, Songs, Scenes, Layers, and Items, Camelot keeps even the most complicated gig neat and tidy. Because of this organized structure, customization is simple and editing on the fly is easy and fast.

  • Setlists – a collection of Songs
  • Songs – can have one or more Scenes that each include a Timeline. When you select a Song in Camelot, you load all the resources needed to play that Song (i.e., Virtual Instruments, FX, and Audio Tracks).
  • Scenes – recall and organize Hardware instruments presets, MIDI connections, Software plugin presets, and Music Score Attachments. You can switch freely from one Scene to another with no interruption in the sound.
  • Layers – the building blocks of each Scene. Layers allow the connection between MIDI Input Controllers and the Items. Layers manage the MIDI and Audio flow for all the Items that are loaded on them.
  • Items – Individual Hardware or Software Instruments and FX.

Forget about the complications of last minute Setlist changes. Camelot allows you to rearrange, move and duplicate Songs with simple Drag & Drop directly on each Setlist or even swap Layers, Items, Backing Tracks and Timeline elements. No more need to fear change! Camelot’s custom Templates allow you to reuse certain portions of your gig for quick starting points. When you have created a good starting point for your project, just add it as a Template so you can speed up your Show preparation.

Backup with confidence! Camelot has several tools to save your work or create backup instances that are ready to support you on another device. Camelot creates Snapshots—a picture in time of how the data was organized. You can create different Snapshots to go back in time when you are editing your Setlists and want to compare different versions. Snapshots are also useful when you want a clean starting point before the Show, for example, when you tweak and adjust items while performing in Song mode, but you do not want to keep those adjustments for the next Show.

Backups are copies of the entire Camelot session in one convenient zip file. Save the backup file in another drive or in the cloud to keep it safe. You can restore the Backup file in any other system running Camelot, even on a different operating system.

Multitrack Audio Player, Timeline, and Automations

Camelot 2.0 introduces a new area called Timeline. The Timeline is dedicated to automation.
In the Timeline, you can attach audio backing tracks, add auto-play and auto-stop markers, and even add Scene automation.
You can have multiple audio tracks with separate audio outputs and, at the same time, use the Timeline to automate Scene switches at specific points in the sequence.
For example, you can playback music tracks, switch hardware and software instrument presets, change the Song, levels, and music scores, all hands-free!
You don’t even need to press the “Play” button!
Trigger your samples and scenes in perfect sequence using only one pedal or automatically play and stop tracks.
The Timeline perfectly structures your song in the exact order it’s meant to be played.

Hardware Instruments Manager

The MIDI engine in Camelot is not limited to sending only basic messages, it delivers a plug & play experience with your Instruments.

Camelot Smart Maps deeply communicate with Hardware devices, allowing you to recall your hardware presets with minimal knowledge of MIDI.
This allows you to switch modes or manage multi-part patches of your Hardware device without accessing its panel.

In Camelot, adjusting your hardware is as simple as clicking your mouse. 



Software Instruments & FX Host

Maximize your available sounds by adding Software Instruments and Audio FX to your performances! Depending on your system (AU and VST for laptop/desktop and AU v3 for iOS), Camelot allows you to host plug-in instruments on each Scene. For added functionality, load MIDI Processors (like arpeggiators for example) at the beginning of any Layer. You can transform your layers’ MIDI Inputs and feed the Items in a very creative way.

Any track can benefit from a Master FX consisting of a Compressor, EQ, a Master Delay, and a Master Reverb. Camelot comes with these Master effects built-in, and they process all the audio routed to the Main Audio Output. The FX chain parameters are applied to the entire Setlist so you can adjust your Mix, accounting for different conditions that each show requires, such as different PAs and Venues. This ensures your Sound will be the same, consistent sound that you have designed in your Studio or during rehearsals. If you need more flexibility, you can always bypass the Main Audio Outs and output to any channel you want.

PDF Music Score Reader

Easily read your Chords, Music Scores, Lyrics directly in Camelot! Simply attach a PDF, PNG and JPG files on each Scene or Song and write your own annotations for any attachment or place them on a convenient annotation board.

View your attachments on one or two pages—you can also select if you want to scroll or switch pages for browsing.




MIDI Patchbay and Router

Layers and Items have a dedicated MIDI Settings section that can Transpose, Octave Shift, Filter unwanted MIDI events and route/replicate messages from one input channel to another. This MIDI routing and processing unlocks endless combinations. Imagine playing your instruments from one controller in one Scene, then switching seamlessly to another configuration that plays other tone generators and audio effects. This is all done without the need to unplug and replug MIDI cables on the fly!

All MIDI Instruments are supported in Camelot, even if there is not a Smart Map available yet. Simply use Program Changes and Bank Select messages to manage your MIDI Instruments. In addition, the advanced MIDI item allows you to generate a wide choice of messages, including Sysex. You can also learn and playback the list of messages just recorded. You can even create your own MIDI map. Organize and recall with ease MIDI generic and advanced items. All the MIDI items in use can be added to a Custom Map for reuse.

The MIDI Manager in Camelot is extremely intuitive. When a MIDI port is not detected, a red badge pops up to quickly address that issue. You can either replace the missing port or reconfigure your Setlist with different Hardware. You can do all of this with one button.

Smart Scene Transition

The Smart Scene Transition in Camelot is unique because it not only allows you to switch scenes without sound interruptions from audio plugin instruments, it also takes care of smooth MIDI transitions between different routings and configurations.

For example, if a MIDI device is not in use in the scene you are transitioning to, you will not get stuck notes because the MIDI instances from the previous scene will stay alive until you release your finger or the sustain pedal.

Cross-Device Compatibility

CrossplatformCamelot is available cross-platform on Mac, Windows, and iOS. Supported Mac OS X version: 10.10 (Yosemite) and above – 64bit only. Supported Windows OS version: Windows 10 and above – 64bit only. Supported iOS (iPad ONLY) OS version: 11 and above.





Try&Buy Camelot 2.0

GeoShredding is more fun with SWAM Powered instruments! 1024 576 audio modeling

GeoShredding is more fun with SWAM Powered instruments!

We are proud to share the exciting outcome of our new partnership. Audio Modeling has teamed up with the award-winning companies moForte and Wizdom Music to release a new set of instruments exclusively designed and optimized for the unique GeoShred Control Surface. The Geo-SWAM Instruments Collection is now available as an In-App-Purchase (IAP) for GeoShred 5.0.

All instruments are powered by Audio Modeling’s SWAM technology!

These new Geo SWAM instruments offer a plug & play solution that will expand your GeoShred Experience: GeoCello, GeoViolin, GeoClarinet, GeoFlute, GeoOboe and GeoTenor Sax, derived from the legendary SWAM Tenor Sax.

Instead of playing samples recorded by other musicians, the physical and behavioural modeling of these instruments, combined with the advanced playing surface, will open your musical creativity to a whole new level. Have fun exploring your musical creativity and expressivity in, what we believe, is one of our most exciting collaborations.



What are the basics about the Geo-SWAM instruments? How much do they cost?

  • The SWAM Models that are integrated into GeoShred are known as the Geo-SWAM Instruments.
  • There are 6 instruments, GeoViolin, GeoFlute, GeoTenorSax, GeoCello, GeoClarinet, GeoOboe.
  • There is an IAP store in GeoShred for purchasing the Geo-SWAM instruments. They are each $14.99USD and there is a Collection of all Six for $74.99USD. Note that the conversion of the price for different territories is not a straight currency conversion. In some territories GST or other charges are added. In some territories Apple sets the price to track USD.
  • The Geo-SWAM IAP store is available for both GeoShred Pro, and GeoShred Play. If GeoShred Control users wish to purchase the Geo-SWAM instruments, they must upgrade to the functionality of GeoShred Pro first.
  • The Geo-SWAM instruments can be performed from the GeoShred keyboard, or MPE controllers ONLY

Can the Geo-SWAM instruments be controlled with a conventional MIDI Keyboard? A wind controller?

The SWAM Models that are integrated into GeoShred are known as the Geo-SWAM Instruments. The Geo-SWAM instruments are expressive, multidimensional instruments. Because the MPE protocol was designed for controlling multidimensional instruments, the Geo-SWAM instruments can be performed from the GeoShred keyboard, or MPE controllers ONLY.

In the near future, Audio Modeling will release native SWAM as iOS Apps. These Apps will offer the most suitable interface for full MIDI control and have been designed specifically to guide the user for correct use and control.

Can I use the Geo-SWAM instruments with AUv3?

Yes, GeoShred can be hosted in any AUv3 host. As an AUv3 plugin instance, Geo-SWAM instruments can be recorded and played back using GeoShred’s keyboard or an MPE compliant controller.

What is the difference between the Geo-SWAM instruments and the Stand-alone instruments that Audio Modeling is developing?

The Geo-SWAM instruments are monophonic and are optimized for the GeoShred keyboard and MPE controllers. Not all controls and parameters found on the native SWAM instruments are available in the Geo-SWAM instruments, and some controls are handled differently. A complete list of the controls for each instrument can be found here:

Are there any discounts for Audio Modeling existing customers?

We would like to offer a cross discount to our customers but it is not feasible on the AppStore. We have set a very accessible price to allow everyone to benefit from this exciting experience on a unique Controls surface, with a huge collection of great modeled FX that can be added in the chain.

What is the difference with the SWAM Sound Pack for ROLI NOISE?

ROLI NOISE “Sound packs”, are bread and butter sounds optimized for playing on the Noise surface or on a ROLI hardware controller, with no parameters to be tweaked. Each SWAM-Noise sound is indeed a preset with a fixed set of parameters.

The Geo Instruments are focused on exploiting the GeoShred surface and possibilities already offered by the software to expand the expressivity of the SWAM models.

The work “behind the scenes” has been huge: we had to customize, adapt, optimize and fix many lines of code. The software and auxiliary assets included in GeoShred are much different than the ones included in Noise.

Pizzicato has not been enabled on Geo Strings Instruments because it does not show the true potential of the expressive interaction available with the combination of GeoShred with a Bowed String instrument.

Can I purchase the Geo-SWAM instruments from GeoShred Play? GeoShred Control?

The Geo-SWAM IAP store is available for both GeoShred Pro, and GeoShred Play. If GeoShred Control users wish to purchase the Geo-SWAM instruments, they must upgrade to the functionality of GeoShred Pro first.

If I purchase a single instrument first, and then the collection, can my purchase of the single instrument be applied to the purchase of the collection?

Unfortunately, due to App Store limitations, previously purchased instrument IAPs can not be applied to a purchase of the collection.

What is the minimum iOS version required to run the Geo-SWAM instruments?

The minimum required version of iOS to run the Geo-SWAM instruments is iOS 11.4

Do the Geo-SWAM instruments support 3D touch?

Yes, the Geo-SWAM instruments use 3D touch for both velocity and pressure

How is velocity and pressure supported on an iPad?

On an iPad, velocity is taken from KeyY Touch, the vertical distance where the key is tapped, with 0 at the bottom and 127 at the top. Pressure is mapped to KeyY sliding.

When Technology Meets Music – A Coffee With Pat Scandalis 1024 576 audio modeling

When Technology Meets Music – A Coffee With Pat Scandalis

We visited our friend, Pat Scandalis, in California at moForte.  We spent a nice time together talking about the relationship between Music and Technology.

Pat is CTO of moForte, a company that makes a unique new kind of musical instrument. This musical instrument allows performers to play multiple voices independently with fingers, very fluidly, and additionally they can reach the desired pitches in virtually any temperament in a very precise way.

This instrument has been coupled with a model of the physics of the guitar, and it’s able to do a kind of feedback distortion guitar. They also have a number of Indian instruments. For this reason their products are used by South Asian artists including music creators for Bollywood films.

Pat has been in the audio business since 1994. He was a researcher at Stanford on physical modeling for a number of years, and then he wound up running some of the first digital download companies. Now he is again working on musical instruments and creating tremendous instruments for musicians.

Pat, in your opinion, what’s the role of Technology in relation with Music? 

I am a technologist and of course technology is super important to me however I feel like technology takes a backseat to musicians. 

One of the things that we did at moForte is we created a partnership with rock star Jordan Rudess. We actually called him the “sacred user” and we let him drive the development of the software.

So instead of being engineers who created a product that we thought would be really really cool, we went to an actual musician who was using it on stage every day, and we would ask him “what do you think about this feature”, “how do you think this works”. He came back with some very direct feedback on how we should do things differently.  Because we focused on Jordan Rudess, the “sacred user”, above our engineering ideas we wound up with a product that was very comfortable to use and very expressive for musicians.

What can technology bring to musicians to make a different experience on a conventional musical instrument?

For instance in our own product we have this “almost magic” pitch rounding, where a user can very fluidly slide their finger around like they’re on a pedal steel or a slide guitar. Yet when they stop the computer helps them get very precisely to the pitch that they’re trying to reach This works whether or not you’re in western temperament, or if you’re in India and you’re using a Carnatic temperament, or you’re in Bali and you’re using a Balinese temperament. It works very well, and it possible for more people to have a very satisfying musical performance experience.

GeoShred and SWAM: Why?

Many users of GeoShred use it in combination with the SWAM instruments, but the very interesting thing that’s happened: We did not promote this, it was sort of discovered! A few of the users figured out that they could connect GeoShred via MIDI through MPE MIDI, a very expressive MIDI, to the SWAM engine for the SWAM Violin and they started to use it. The result is sort of expressive modalities that you wouldn’t get from a conventional keyboard! 

For example, one of the expressive articulations in Indian music is what’s called a Gamaka, it’s a kind of vibrato that’s very different than western vibrato, it’s microtonal it often starts on the center of the note which is called a Svara and then it bends up to microtonal pitches which are called Shruthis . So it’s very easy to perform a gamaka on GeoShred and when these gamakas are articulated with SWAM Violin it sounds like a classical Indian violin player playing in the style of Carnatic or Hindustani music.

Audio Modeling Products Now Distributed by ILIO 1024 683 audio modeling

Audio Modeling Products Now Distributed by ILIO

Westlake Village, CA – March 30, 2020 – ILIO announced today a new distribution partnership with Audio Modeling, global leaders in multi-vector expressive acoustic instrument emulations. Audio Modeling products are now available from ILIO and its vast North American dealer network.

Through this partnership, musicians and composers across the United States, Canada, and Mexico can get local dealer service and support on Audio Modeling’s full line of cutting-edge virtual instruments and performance hosts, namely, their innovative SWAM Instruments and Camelot. In addition, Audio Modeling products are now fully supported by ILIO’s world-class sales and support team, made up of passionate and expert musicians and composers.

“We’ve always focused on quality, innovation and bringing the best virtual instruments, audio processors and plug-in tools to musicians”, says Mark Hiskey, President of ILIO. “We feel it a duty to our customers to provide the essential tools they need to make them great and excel in their careers, and Audio Modeling products definitely surpass that standard.” For over 25 years ILIO has been distributing world-class tools from many successful producers, such as Spectrasonics, Vienna Symphonic Library, Synthogy, Overloud and now, Audio Modeling.

“We are joining a family of successful products and successful brands,” says Simone Capitani, Product Manager and UX Designer at Audio Modeling. “Making great products is not enough, the entire customer experience is important. We are sure that with ILIO we can deliver the best customer experience, supporting our customers in North America with a great team of passionate and expert people.”

Audio Modeling products are available now directly from ILIO.com or from many authorized North American Dealers.

About ILIO

Founded in 1994, ILIO is a leading distributor of virtual instruments and audio processing software for the Pro Audio and MI industries in North America. They represent products used by hundreds of top-shelf recording artists, studio musicians, composers and producers. Their product lines include Spectrasonics, Vienna Symphonic Library, Synthogy, Applied Acoustics Systems, Overloud, Audio Modeling, Sonoma Wire Works, Delta Sound Labs, Deskew Technologies, and Hornberg Research.

Learn more about ILIO and all our partners at www.ILIO.com

Watch an introductory video here:


Ten years ago… 1024 683 audio modeling

Ten years ago…

Do you know how Audio Modeling adventure began?

You won’t believe it, but everything started with just an email!

Stefano Lucato has always been thinking of a new sound technology and he needed a software engineer who could help him setting up his idea. He was looking for a smart and dynamic professional with skills in programming and audio processing.

It was September 12, 2009 when Stefano Lucato googled “Sviluppatore VST” (that means “VST Developer” in Italian) and he found Emanuele Parravicini (Lele) as the first result. 

Stefano emailed Lele and he replied in less than 24 hours. Few days later they were in the same room talking about innovative sound technologies, and it was the “Big Bang” of what we now call “SWAM”.

Audio Modeling was born later in 2017, after several years of collaboration with the same passion, more experience and new challenges. But everything started with a click of a (Send) button on September 2009.

Which music software is best for live performances? 1024 683 audio modeling

Which music software is best for live performances?

On June 15, 2019, took place “Camelot Pro & Studiologic: Live Performance Workshop”, an event dedicated to live performance tips.
This Workshop, organized by Musicarte Store in Italy, in partnership with Camelot Pro and Studiologic.
During the event spoke artists, producers, endorsers and experts in the music industry.
The main theme of the event was Camelot Pro, that guarantee a unique experience during live performance with Studiologic instruments.

Simone Capitani, the Camelot Pro designer, was the first. He spoke about the history of this App, created for managing live performance. Camelot is able to control, at the same time, plugin software, keyboard, synth, and MIDI controller.

Francesco Ferrandi, pianist and keyboardist, was one of the first Camelot Pro users and Beta Tester. Francesco told us how he uses Camelot Pro during his live performance especially with his sheet music. 

Raffaele Mirabella, musician, Product Specialist at Eko Music Group, explain how to use Camelot Pro with Studiologic keyboards.

Emanuele Parravicini, founder and CTO at Audio Modeling, showed Camelot Pro iOS managing audio units and usb midi devices. He explained the difference between MIDI and AUv3 plugin on iPad. 

Paolo Principi, sound designer and Jazz pianist, focused on Studiologic Mixface during live performance management of vst instruments and hardware synthesizer.  

Stefano Lucato, founder and CEO at Audio Modeling, showed us how to play expressively with SWAM virtual instruments.

At the end took part in Skype video call, Jordan Rudess, keyboardist of the band Dream Theater and music apps inventors. Jordan, our partner in Camelot Pro Project, revealed his secret for playing during live performance. This speech was very engaging and enjoyed by the community! 

Mosaiko Digiwall Solutions and DiscoBrick made the event even more interesting with their high quality led wall and video effects.

This was only the first event dedicated to managing live performance with Camelot Pro.
We have more event like this in store for you! 

Stay Tuned! 

Thanks Eko Music Group for support and cooperation.