SWAM-S

SWAM-S

SWAM-S stands for Synchronous Waves Acoustic Modeling – Strings.

Differently from SWAM-W, sound is generated by pure Physical Modeling, so there are no samples at all.

We have performed an in-depth study of the Physical Modeling techniques, especially the Digital Waveguides Synthesis by prof. Julius O. Smith. Using this technique, adding new elements and performing an unceasing fine-tuning, we have built the best modeled Bowed Strings virtual instruments on the market, allowing the real-time control of bow speed, bow pressure, bow position, vibrato, portamento, harmonics, tremolo, pizzicato and many other parameters in a realistic way, almost indistinguishable from the real instrument.

The Physics of Bowed Strings

The bow allows the player to continuously input energy and so to maintain a note. This affects the timbre too: after a pluck, the high harmonics fade away quickly, leaving only the fundamental and some weak lower harmonics, while bowing maintains the rich harmonic spectrum.

The action of the bow which drives the strings is a regular cycle of stick-slip-stick-slip. This involves some interesting properties of friction, the force that makes things difficult to slide.

The bow string interaction is important for another aspect. Over a limited range of pressure applied by the player, the cycle of stick and slip is governed by the standing wave in the string. When this happens the motion of the string is nearly exactly periodic, and therefore it makes a sound with an almost exactly harmonic spectrum. This means that any inharmonic effects of the string are reduced by bowing, which is not the case when the string is plucked.

Helmholtz motion is the name given to the idealized motion of the string during stick and slip cycles.

SWAM-S models this complex system using the Digital Waveguide Synthesis conceived by prof. Julius O. Smith, exploiting a complex friction model and adding several elements taken from the SWAM technology created for the Woodwinds instruments to improve the realism of the timbre and the overall behavior of the instrument.