Introducing Audio Modeling Software Center You are taking the plunge. You’re going to buy upgrades for the SWAM instruments you already own, buy another SWAM instrument bundle, upgrade to…
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Camelot for Bass Players Bobby Bigboddum keeps his plate pretty full. He plays both fretted and fretless electric bass in two wedding bands and a rock band. He also…
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Audio In, Out, and All About in Camelot 2.1 Perhaps the most exciting improvement in Camelot 2.1 is the addition of new capabilities for getting audio into Camelot and…
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Camelot for iPad: Mark Basile’s iOS Virtual Instrument Faves As Apple’s iPad has grown in computing power, musicians have increasingly turned to it as a platform for music-making, both…
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Version 2.1 of Camelot is here! Version 2.1 of Audio Modeling’s live performance environment for MIDI hardware devices, software instruments, and effects plugins, adds audio input features, expanding it…
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On stage or at home (Home Studio), many musicians wonder how to manage Keyboards, Sound Modules (hardware and software), MIDI Controllers… Until now, musicians using Apple computers had MainStage which…
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Right time to look for new solutions to make your live performance great As musicians and performers, we all took a severe blow during 2020. No more live shows, no…
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Every musician with some experience knows—there’s sometimes a big difference between what the audience sees and what’s really happening on stage. For the uninitiated, it’s hard to understand how terrifying…
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Usually, the complexity of a Software is related to the number of available features it has. A common consequence is pain, confusion, and frustration for users. We didn’t sacrifice usability…
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On October 28 we organized the first Live Webinar focused on Camelot 2.0. Gerald Peter illustrated his live performance setup with the newest Camelot 2.0. In this webinar, Gerald explains…
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